TabulaRasa. Clay, wax, and the impact of erasable writing technologies on manuscript cultures
TabulaRasa explores the historical significance of rewritable clay and wax tablets across cultures, analyzing their impact on writing practices, education, and sustainability in manuscript cultures.
Projectdetails
Introduction
TabulaRasa takes the use of clay and wax tablets in the Ancient Near East, the Classical world, and Medieval to Early Modern Europe as the centerpiece of a comprehensive exploration of the role of rewritability in manuscript cultures. Across diverse societies, the recycling of written surfaces proves not only desirable but essential in contexts such as education, note-taking, literary creation, economy, and administration.
Implications of Rewritability
Its profound implications range from palaeographic developments to the acquisition of writing, memorization and composition practices, and aspects of data storage, information overload, and resource recycling that persist to this day. Throughout history, the challenge of devising techniques for effortless reuse has sparked a wealth of clever solutions.
Paradigmatic Examples
Among these, clay and wax tablets can be considered paradigmatic: they played a key role in the history of writing from the third millennium BCE up to modern times, enabling effortless, unlimited rewriting without the need to add or subtract material. TabulaRasa takes them as a benchmark for an interdisciplinary, cross-cultural exploration of rewritability.
Methodology
It integrates codicology, palaeography, and the study of manuscript cultures into a holistic historical framework, combining the study of original artifacts, material analysis, and experimentation.
Primary Objectives
The primary objectives encompass:
- A codicological understanding of clay and wax tablets as material objects.
- Deciphering the biomechanics of inkless writing on clay and wax and its implications for palaeographic developments in cuneiform and Latin script.
- Comprehending the role of erasable media in key historical contexts.
Comparative Analysis
Complementing these integrated lines of inquiry, TabulaRasa will broaden its gaze to include a comparative analysis of rewriting practices. This will add historical depth to ongoing research on e-ink and environmental sustainability, providing a breakthrough in the understanding of a fundamental aspect of writing practices past and present.
Financiële details & Tijdlijn
Financiële details
Subsidiebedrag | € 1.990.000 |
Totale projectbegroting | € 1.990.000 |
Tijdlijn
Startdatum | 1-5-2025 |
Einddatum | 30-4-2030 |
Subsidiejaar | 2025 |
Partners & Locaties
Projectpartners
- UNIVERSITA DEGLI STUDI DI NAPOLI L'ORIENTALEpenvoerder
- UNIVERSITA DEGLI STUDI DI NAPOLI FEDERICO II
- TECHNISCHE HOCHSCHULE KOELN
Land(en)
Vergelijkbare projecten binnen European Research Council
Project | Regeling | Bedrag | Jaar | Actie |
---|---|---|---|---|
Rewriting the End of Cuneiform CultureThe RECC project aims to uncover the reasons behind the enduring use of cuneiform script through new dating methods and analysis of late literary texts, revealing cultural resilience in changing times. | ERC Consolid... | € 1.997.950 | 2025 | Details |
Mesopotamian Orality and the Anthropology of WritingThis project analyzes the relationship between writing and orality in Ancient Mesopotamia to develop a model that enhances understanding of ancient societies and their documentation practices. | ERC Advanced... | € 2.499.793 | 2025 | Details |
Roman Making and its Meanings: Representations of Manual Creation in the Literature and Art of Imperial RomeFACERE explores the cultural significance of 'making' in ancient Rome by analyzing literary and artistic representations to uncover aesthetic and moral implications of material culture. | ERC Starting... | € 1.499.999 | 2023 | Details |
Scribes of Musical Cultures. Decoding Early Technologies of Music Writing in Latin Europe c. 900–1100SCRIBEMUS aims to uncover the origins and evolution of musical notation in Latin Europe (c.900–1100) through interdisciplinary analysis of manuscripts, enhancing our understanding of music history. | ERC Starting... | € 1.497.793 | 2023 | Details |
Migrations of Textual and Scribal Traditions via Large-Scale Computational Analysis of Medieval Manuscripts in Hebrew ScriptMIDRASH aims to develop an interdisciplinary methodology using advanced technologies to study and reconstruct medieval Hebrew manuscripts, enhancing understanding of Jewish literary culture and its historical significance. | ERC Synergy ... | € 10.296.259 | 2023 | Details |
Rewriting the End of Cuneiform Culture
The RECC project aims to uncover the reasons behind the enduring use of cuneiform script through new dating methods and analysis of late literary texts, revealing cultural resilience in changing times.
Mesopotamian Orality and the Anthropology of Writing
This project analyzes the relationship between writing and orality in Ancient Mesopotamia to develop a model that enhances understanding of ancient societies and their documentation practices.
Roman Making and its Meanings: Representations of Manual Creation in the Literature and Art of Imperial Rome
FACERE explores the cultural significance of 'making' in ancient Rome by analyzing literary and artistic representations to uncover aesthetic and moral implications of material culture.
Scribes of Musical Cultures. Decoding Early Technologies of Music Writing in Latin Europe c. 900–1100
SCRIBEMUS aims to uncover the origins and evolution of musical notation in Latin Europe (c.900–1100) through interdisciplinary analysis of manuscripts, enhancing our understanding of music history.
Migrations of Textual and Scribal Traditions via Large-Scale Computational Analysis of Medieval Manuscripts in Hebrew Script
MIDRASH aims to develop an interdisciplinary methodology using advanced technologies to study and reconstruct medieval Hebrew manuscripts, enhancing understanding of Jewish literary culture and its historical significance.