Ocean and Space Pollution, Artistic Practices and Indigenous Knowledges.
OSPAPIK explores how contemporary Indigenous and non-Indigenous artists use creative expressions to reveal and address ocean and space pollution through Indigenous knowledges and materiality.
Projectdetails
Introduction
What is the role of contemporary Indigenous artists, and non-Indigenous artists engaging with Indigenous peoples' knowledges, in making ocean and space pollution visible? How are Indigenous knowledges, know-how, histories, and memories mobilised to address current environmental crises?
Project Overview
Strongly grounded in anthropology and the arts, OSPAPIK is both pluri- and interdisciplinary. It offers innovative approaches to pollution, Indigenous knowledges, and the arts through its systematic focus on materiality and on the relationship that people have with waste.
Objectives
It intends to develop novel, critical, and ethnographically-informed analyses of the socio-environmental life of waste by investigating how creative and artistic expressions allow:
- The artists themselves
- Scientists
- Expedition project organisers
- Audiences
to better understand how marine ecosystems and (outer) space are impacted by pollution. It will also interrogate whether the study of arts provides means to better understand the different professional sectors and actors involved in depolluting.
Analysis Focus
The whole project is designed to rigorously analyse conjointly:
- The motifs and patterns used by Indigenous artists and non-Indigenous artists collaborating with Indigenous people.
- The ways these artists use ocean and outer space waste and debris as artistic material.
Contextual Significance
It focuses on the ocean and space, where pollution can be invisible to the eyes, and which are spaces that are often deemed sacred according to Indigenous cosmogonies, but have been perceived, according to dominant Western modern conceptions, as uninhabited.
Comparative Study
The project aims to study comparatively affective, professional, sensorial, and historical relationships to marine, nuclear, and space debris and waste, through an analysis of Indigenous artistic practices and non-Indigenous practices engaging with Indigenous knowledges.
Financiële details & Tijdlijn
Financiële details
Subsidiebedrag | € 1.996.646 |
Totale projectbegroting | € 1.996.646 |
Tijdlijn
Startdatum | 1-8-2023 |
Einddatum | 31-7-2028 |
Subsidiejaar | 2023 |
Partners & Locaties
Projectpartners
- UNIVERSITE DE BRETAGNE OCCIDENTALEpenvoerder
Land(en)
Vergelijkbare projecten binnen European Research Council
Project | Regeling | Bedrag | Jaar | Actie |
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An Ecological History of Eurasian Art: Natural Resources, Aesthetic Practices, and Early Modern Globalization
ECOART aims to reframe art history through the lens of ecological interconnections by analyzing early modern artworks as repositories of environmental knowledge across Eurasia's Global South.
Ecologies of Violence: Crimes against Nature in the Contemporary Cultural Imagination
EcoViolence aims to analyze cultural representations of environmental violence, linking it to historical atrocities, to foster critical reflection and enhance ecological literacy in pedagogy.
Ocean Crime Narratives: A polyhedral assessment of hegemonic discourse on environmental crime and harm at sea (1982-present)
The project analyzes post-1982 literary and film narratives on environmental crime at sea to critically assess and influence international discourse and policy on ocean sustainability and human rights.
Olfactormativity: Exploring the Intervening Performativity of Smell
OLFAC investigates the performative power of smell in arts and politics to challenge social norms and explore its potential for change amidst issues of identity and power dynamics.
Ontologies of Waste: A Relational Study of How Waste Comes to Matter for Humans, Society, and Future
WasteMatters explores the integral role of waste in society through more-than-human ethnography, aiming to shift the paradigm from circular economy to a relational theory of waste.