Ecologies of Violence: Crimes against Nature in the Contemporary Cultural Imagination
EcoViolence aims to analyze cultural representations of environmental violence, linking it to historical atrocities, to foster critical reflection and enhance ecological literacy in pedagogy.
Projectdetails
Introduction
The ongoing destruction of the natural world raises critical questions about responsibility. How do we remember the victims, both human and non-human? And who is to blame? Contemporary culture plays a crucial role in addressing these questions.
Challenges of Ecocide and Extinction
Large-scale processes like ecocide and extinction pose significant conceptual and representational challenges. This project posits that writers, artists, and filmmakers are responding to these challenges by adapting existing repertoires, especially ones that emerged in response to the Holocaust, slavery, and other atrocities.
Historical Connections
In so doing, they reveal the historical, structural, and discursive links between crimes against humanity and crimes against nature.
Project Overview
EcoViolence will be the first comprehensive, transnational, comparative study of the cultural imaginary of environmental violence.
Objectives
Bringing together recent work in cultural memory studies and ecocriticism, we will develop an innovative ecological model for the study of violence and its representation. The project will:
- Document how texts, films, artworks, plays, and exhibitions represent ecoviolence.
- Map how they link it to colonialism and genocide.
- Analyze how they reflect on questions of guilt and responsibility, as well as culture’s own implication in the violence it depicts.
Emotional Engagement
Furthermore, we will explore how these representations harness affect and emotion to help people relate to the environmental crisis and promote critical self-reflection.
Impact on Cultural Memory Research
EcoViolence will effect a major reorientation in cultural memory research and ecocriticism by providing a framework to think about violence and memory in more-than-human terms.
Educational Outcomes
The project will result in a “best practices” guide to engage cultural representations in pedagogy to enhance critical literacies about ecoviolence and move beyond simplistic stories where everyone is either a victim or a perpetrator that have stifled full responses to our collective ecocidal trajectories.
Financiële details & Tijdlijn
Financiële details
Subsidiebedrag | € 2.000.000 |
Totale projectbegroting | € 2.000.000 |
Tijdlijn
Startdatum | 1-6-2024 |
Einddatum | 31-5-2029 |
Subsidiejaar | 2024 |
Partners & Locaties
Projectpartners
- UNIVERSITEIT UTRECHTpenvoerder
Land(en)
Vergelijkbare projecten binnen European Research Council
Project | Regeling | Bedrag | Jaar | Actie |
---|---|---|---|---|
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An Ecological History of Eurasian Art: Natural Resources, Aesthetic Practices, and Early Modern GlobalizationECOART aims to reframe art history through the lens of ecological interconnections by analyzing early modern artworks as repositories of environmental knowledge across Eurasia's Global South. | ERC Consolid... | € 1.999.336 | 2024 | Details |
Cinematic Atmospheres: Towards a New Ecology of the Moving ImageThis project explores the production of cinematic atmospheres, analyzing their aesthetic and ethical implications while adapting methods to study their influence beyond traditional cinema into broader socio-cultural contexts. | ERC Starting... | € 1.337.744 | 2023 | Details |
Ocean and Space Pollution, Artistic Practices and Indigenous Knowledges.OSPAPIK explores how contemporary Indigenous and non-Indigenous artists use creative expressions to reveal and address ocean and space pollution through Indigenous knowledges and materiality. | ERC Consolid... | € 1.996.646 | 2023 | Details |
Renewing the World: A Philosophical History of Early Modern Ecology
NEWWORLD investigates early modern ecological thought using controlled anachronism to connect historical debates with contemporary ecological issues, culminating in a multi-volume philosophical history and exhibition.
Ocean Crime Narratives: A polyhedral assessment of hegemonic discourse on environmental crime and harm at sea (1982-present)
The project analyzes post-1982 literary and film narratives on environmental crime at sea to critically assess and influence international discourse and policy on ocean sustainability and human rights.
An Ecological History of Eurasian Art: Natural Resources, Aesthetic Practices, and Early Modern Globalization
ECOART aims to reframe art history through the lens of ecological interconnections by analyzing early modern artworks as repositories of environmental knowledge across Eurasia's Global South.
Cinematic Atmospheres: Towards a New Ecology of the Moving Image
This project explores the production of cinematic atmospheres, analyzing their aesthetic and ethical implications while adapting methods to study their influence beyond traditional cinema into broader socio-cultural contexts.
Ocean and Space Pollution, Artistic Practices and Indigenous Knowledges.
OSPAPIK explores how contemporary Indigenous and non-Indigenous artists use creative expressions to reveal and address ocean and space pollution through Indigenous knowledges and materiality.